A new history of the double bass paul brun pdf file

The story that he kept and often traveled with a collection of life-sized cloth mannequins, bringing them to his concerts and having them placed in front row seats of theaters, and even introducing one of these dolls as his wife, is completely unsubstantiated. Dragonetti had no close family, but had many close friends in the musical world in London. The King's theatre at the time of Dragonetti. That leave was extended for three more years afterwards, but finally Dragonetti never returned to Venice for more than a brief period during the French occupation of the city, 1805-1814. They even granted him a leave for a year, with a continuation in his wages, to go to the King's Theatre in London. He was offered another position to the Tsar of Russia, which he declined after the procurators of St Mark increased his salary to an exceptional 50 ducats. When in Vicenza for an engagement at the Grand Opera there, he acquired his famous double bass from the Benedictine Nuns of the Convent of San Pietro (La Pieta) in Vicenza, which is now housed in the museum of. One of his was particularly remarked by the queen of. He became very famous at the time, started playing solo pieces, which was exceptional at the time for the double bass, and even got elected as of the directors of a musical festival held for the coming of fourteen sovereign princes to the. He later was offered a place by the Tsar of Russia, which was declined and got him a salary raise in the Chapel. He finally joined the institution on 13 September 1787 as the last of the five double bass players of the Chapel with a yearly income of 25. He made a first attempt in 1784, which was lost to Antonio Spinelli. When about eighteen, in, he was invited to join the quartet of the Tommasini, and was noticed by, who indulged him in auditioning for the admission in the Chapel of San Marco. At fourteen he was appointed principal double bass player in the Grand Opera Seria at the San Benedetto theatre. At the age of twelve, he was placed under the tuition of Berini, the best master for the double bass in Venice, who decided after only eleven lessons that he could not teach the boy anything more.ДЄt the age of thirteen, Dragonetti was appointed principal player at the Opera Buffa in Venice. He was soon noticed by Doretti, a violinist and composer of ball music, who took him along for public performance in Venice. He began playing the guitar and the double bass by himself on his father's instruments. Dragonetti was born in of Pietro Dragonetti, a barber and amateur musician, and Caterina Calegari. He is also remembered today for the Dragonetti, which he evolved throughout his life. His ability on the instrument also demonstrated the relevance of writing for the double bass in the separate from that of the, which was the common rule at the time. He was acquainted with composers and, whom he visited on several occasions in, and to whom he showed the possibilities of the double bass as a instrument. In fifty years, he became a prominent figure in the musical events of the English capital, performing at the concerts of the as well as in more private events, where he would meet the most influential persons in the country, like the and the. In 1794, he finally moved to to play in the orchestra of the, and settled there for the remainder of his life. By that time he had become notable throughout and had turned down several opportunities, including offers from the. He stayed for thirty years in his hometown of and worked at the, at the and at the Grand Opera in.

Domenico Dragonetti in England (1794-1846): the career of a double bass virtuoso.Дomenico Dragonetti Background information Birth name Domenico Carlo Maria Dragonetti Born 7 April 1763 Died 16 April 1846 (ageВ 83), Genres Occupation(s), Instruments Years active 1790вЂ“1846 Domenico Carlo Maria Dragonetti (7 April 1763 вЂ“ 16 April 1846) was an and with a 3 string double bass. A New History Of The Double Bass Paul Brun Pdf File 3,8/5 8125votesДЄ new history of the double bass.

A new history of the double bass paul brun pdf file